At the Venice Film Festival, Olivier Assayas’ latest political drama, ‘The Wizard Of The Kremlin,’ has taken center stage, captivating audiences and critics alike with its timely and thought-provoking narrative. The film, set in early 21st century Moscow, delves into the intricate world of Russian politics, offering a cautionary tale that resonates far beyond its geographical borders.
Starring Jude Law as Vladimir Putin and Paul Dano as Vadim Baranov, a cunning spin doctor who plays a pivotal role in Putin’s rise to power, ‘The Wizard Of The Kremlin’ explores the complexities of political manipulation, ambition, and the consequences of unchecked power. As the story unfolds, viewers are drawn into a web of intrigue and deception, where the lines between loyalty and betrayal blur, and the stakes are higher than ever.
Critics have praised the film for its nuanced portrayal of the political landscape in Russia, highlighting Assayas’ deft direction and the stellar performances of Law and Dano. The narrative unfolds with a sense of urgency, drawing parallels to contemporary political events and offering a stark reminder of the fragility of democracy in an increasingly volatile world.
Audiences have responded enthusiastically to ‘The Wizard Of The Kremlin,’ with many praising its gripping storyline, compelling characters, and timely relevance. The film’s exploration of power dynamics, moral ambiguity, and the human cost of political machinations has struck a chord with viewers, sparking discussions about the nature of leadership, accountability, and the role of art in reflecting and shaping society.
As ‘The Wizard Of The Kremlin’ continues to make waves at the Venice Film Festival and beyond, it serves as a poignant reminder of the enduring power of cinema to provoke thought, inspire dialogue, and shed light on the complexities of the human experience. In a world where truth is often elusive and power can corrupt, films like this one offer a mirror to society, challenging us to confront uncomfortable truths and strive for a more just and equitable future.
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References:
– Deadline. (2025, August). ‘Rose of Nevada’ Review: Mark Jenkin Takes A Trip Through Time In This Hallucinatory Psychodrama – Venice Film Festival. https://deadline.com/2025/08/rose-of-nevada-review-mark-jenkin-george-mackay-callum-turner-1236501392/
– Deadline. (2025, August). ‘The Wizard Of The Kremlin’ Review: Olivier Assayas Goes Behind The Iron Curtain With A Timely Political Drama – Venice Film Festival. https://deadline.com/2025/08/the-wizard-of-the-kremlin-review-jude-law-paul-damo-olivier-assayas-1236502395/
– IndieWire. (n.d.). ‘The Wizard of the Kremlin’ Review: Paul Dano Is Putin’s Kingmaker in an Olivier Assayas Movie that Won’t Start a Revolution. https://www.indiewire.com/criticism/movies/the-wizard-of-the-kremlin-review-1235148346/
– Deadline. (2025, August). ‘The Wizard Of The Kremlin’: What The Critics Are Saying About Political Drama Featuring Jude Law As Vladimir Putin. https://deadline.com/2025/08/wizard-of-kremlin-vladimir-putin-jude-law-reviews-reaction-1236502451/
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